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Passing Strange

Passing Strange

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Creators: Heidi Rodewald, Heidi Stew / Rodewald, Christian Cassan, Christian Gibbs, Jon Spurney, Chad Goodridge, Colman Domingo, Daniel Breaker, Eisa Davis, Rebecca Naomi Jones, De'adre Aziza
Label: Ghostlight
Category: Music

List Price: $18.97
Buy New: $9.98
You Save: $8.99 (47%)



New (36) Used (6) from $9.98

Avg. Customer Rating: 5.0 out of 5 stars 12 reviews
Sales Rank: 9587

Format: Cast Recording, Explicit Lyrics, Soundtrack
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4

MPN: 84429
UPC: 791558442922
EAN: 0791558442922
ASIN: B00199PPRE

Release Date: July 15, 2008
Availability: Usually ships in 1-2 business days

Tracks:

  • Prologue (We Might Play All Night)
  • Baptist Fashion Show
  • Church Blues Revelation / Freight Train
  • Arlington Hill
  • Sole Brother
  • Must Have Been High
  • Mom Song
  • Merci Beaucoup, M. Godard
  • Amsterdam
  • Keys (Marianna)
  • Keys (It's Alright)
  • We Just Had Sex
  • Stoned
  • Berlin: A Black Hole With Taxis
  • May Day
  • What's Inside Is Just A Lie / And Now I'm Ready To Explode
  • Identity
  • The Black One
  • Come Down Now
  • Youth's Unfinished Song
  • Work The Wound
  • Passing Phase
  • Cue Music
  • Love Like That

Similar Items:

  • In The Heights
  • Rodgers and Hammerstein's South Pacific (The New Broadway Cast)
  • A Catered Affair (Original Broadway Cast Recording)
  • Gypsy - 2008 Original Broadway Cast
  • Adding Machine: A Musical

Customer Reviews:   Read 7 more reviews...

4 out of 5 stars Strangely Passing   November 19, 2008
"Passing Strange" defies all musical theater dictums and is actually a recorded performance of what was really more of a concert than a traditional Broadway musical. So what's wrong with that? There have been a lot of complaints on both sides of the fence about "Passing Strange", i.e., that it's "rock" and doesn't belong on a Broadway stage, or that Broadway music is dead and this is so much better. Well, both sides miss the point. More challenging yet just as necessary as the more accessible "In the Heights", these two companion pieces make a strong case for a broader musical theater palette. Theater is a living, breathing thing and without those who push the boundaries (and those who are willing to accept that) it becomes an antiquated art form.

While Stew's music has neither the sophistication nor the complexity of Lin-Manuel Miranda's score for "In the Heights", it's raw urgency is both startling and immediate. True, there's no attempt in his work to adapt to the musical theater idiom, but he shouldn't have to. That's not the point and it would defeat his purpose, which is to present something utterly personal that is also universal. Not so surprisingly, many of these songs are just as listenable, albeit in a different context, than anything on Broadway these days. "Church Blues...", "Arlington Hill" and "Keys" all have moments of beauty, while "Identity", "Amsterdam" and "Love Like That" are powerful statements of longing and discovery. The cast, headed by Stew himself, is terrific. Tony nominee Daniel Breaker, a true star-in-the-making, is the heart and soul of this recording and he deserves to be heard from again soon. He is supported by the marvelous Rebecca Naomi Jones and an ensemble that includes Chad Goodridge, Colman Domingo and Elissa Davis, all of whom acquit themselves well.

"Passing Strange" may not be for everyone, but it deserved a longer life on Broadway and will hopefully find a broader audience in some other permutation. For anyone who loves musical theater and the future of musical theater, it's worth a listen.



4 out of 5 stars Grows On You   October 25, 2008
When I saw "Passing Strange" last May, I left feeling that I had just witnessed something new (& even amazing), but couldn't really summarize my impression and wasn't sure if the piece was meant for Broadway. The cast members, led by Stew and Daniel Breaker, were all excellent.

The score is fresh, but only a couple of songs, "Keys" and "Amsterdam", seemed memorable at the time. Upon repeated listenings of the cd, however, many others jumped out as well. Feels more and more like a a great rock record. Terrific!

Best Songs:

Amsterdam
Keys (Marianne)
Keys (It's Alright)
We Just Had Sex
Come Down Now
Love Like That



5 out of 5 stars FANTASTIC   September 30, 2008
I was one of the lucky ones who got to see Passing Strange while on Broadway in New York. What struck me about the show was that this is unforgiving rock and roll. It never slips into "Broadway" like most other rock shows do. The story line is moving and the music is just amazing. I listen to it over and over and over. Even if you don't know the play, the music is just fantastic and you get a clear understanding of the story line just through the lyrics. MY FAVORITE CD OF 2008.


4 out of 5 stars A "STEW To Savor   August 31, 2008
While Rodgers and Hammerstein and Andrew Loyd Webber are booming on Broadway, some interesting new voices are being heard and Stew is among the best. The style is contemporary and should be heard by everyone, but unfortunately the show had to clsoe because business is business and not enough people showed up to support it. Their loss, but you can get a feel for this exuberant score from the excellent cast recording.


5 out of 5 stars Really Good!   August 27, 2008
I really enjoyed this show, and the CD captures it unusually well. I think it was a great choice the producers made in taping it live, as it captures the heart of the music.

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